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We Are Exquisite Planners in Spirit

by Allison L. Williams Hill  In-Vesica  Art  Design  Energy

“Do All Things In-Vesica.”

(We Are Exquisite Planners in Spirit by Allison L. Williams Hill was originally published on Inner Eden blog pub. August, 2013)

Spirit Is Here by Allison L. Williams Hill

We are exquisite planners in Spirit.  Personally, I used to think, “Why on Earth am I here?” several years ago but not anymore.

“Oh yeah, then how could I possibly have wanted this, this (fill in the blank)?!!”

Perhaps you and I did so to learn to access help and, by doing so, learn to overcome it.

Mom was told don’t get pregnant and then some.  She was never told, “do.”  Nobody told her what she could do.  She lived her young life in apprehension, always warned of painful consequences.  She would tell me “There isn’t anything you can’t do or be.”  She did not tell me how to achieve “anything” because she did not know.  Mom was never taught how to plan.  She learned how to with us – her four children.

Talking to my mother on a weekend in June 2013 revealed the pain she still experiences after the marriage to my biological father ended over 50 years ago and after his passing 14 years gone.  When they went to City Hall to marry, he had to borrow $2.00 from her to pay for the license.  That was a sign of things to come.

A similar pattern continued with my stepfather who crossed over almost twice as many years ago and also promised my mother all sorts of things.  Mom told me recently that he came to live with her, my younger brother, and me, with a vacuum cleaner and a fish tank.  The furniture that I used in our bedroom with my sisters until I left home for college was purchased by my biological father.  The contribution my stepfather made was repainting it.

Mom regrets a lot of and in her life.  She said something sweet: how she learned from us and never regretted our being here.  Mom is over 80 now.  I asked her what she wanted to do.  I got that she wants to rest and just live.

Mom heard the voices; felt the “advice”; sometimes she listened and followed through on the feeling and other times she did not, as have I.  When I ignore the information, the only thing left to do is to adjust to the outcome of the event.  I can also appreciate that the help can reach me and I can be more attentive the next time.  There is always another opportunity.  I think that is the point of living.

How much of this was planned in Spirit? I think it is about what we use to inform ourselves along the way.  When I focus on the perceived inequity of my existence, how much of it is actually unfair?  If I missed the cues; if I did not comprehend the events; if I was limited in expression; if I had parents who were essentially learning with me and were unable to assist with what I needed, what presents itself is to excavate deeply about what occurred; what was given and what I used.

There is also the realm of what exists beyond the self.

“What have you to say about people living in poverty, then?”

I say: if I know about it and I know there is little they can do for themselves because I know it, it becomes an integral part of my life to help them overcome.  As planning is learned and applied, it is  knowing all along, within my heart, there is always help, unseen, heard, or felt, that directs me to be alive and remain that way; or to a book, or to walk to a certain place, stand and ask, “What now?”  It is a question of when I realize that the help is there to access and use it.

Allison L. Williams Hill is an artist; designer; planner; healer; integrative health coach, and inventor.  She shares her work and services through:

“Do All Things In-Vesica.”

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Storyboard Your Desires!!!

by Allison L. Williams Hill  In-Vesica  Art  Design  Energy

“Do All Things In-Vesica.”

Originally posted March 21, 2014

I sometimes wondered if I could have had a career as an actor.  I watched directors direct.  Some are extremely meticulous.  S/he has a vision and only that is what s/he wants to see on film.  And others actually encourage actors to contribute what they know best.  I don’t remember the director’s name but he was actually shaping the fingers of the actress as she stood on a bridge with her hands over the railing.  He would be the former.  Clint Eastwood would be, no, the latter.  The commentary on the “Bridges of Madison County” DVD was fantastic to listen to.  He would be someone I would enjoy working for if I had talent.  My issue is a lack of patience with the process.  My hat is off to all credible performers for enduring the creation of the art.

Well, that is only a part of what I wanted to say.  I listen to many young, old, and in-betweenies recite and narrate scenes from programs or movies they saw.

“He, like, has this gigantic gun, man, slung over his left shoulder, cause the other arm was shot up but that did not stop ‘im from shootin.’ ”

“The dress was low cut in the front.  It was a wonder she dident pop out, you know?  That silver was, it looked like it was white and blue, like wow, it was all a deez cullahs.’ ”

It’s fun to hear the attention to detail people remember when they talk about a movie or a television show.  That is the end product.  The directors create that end product.  On the Star Trek Nemesis DVD, Stuart Baird was full of what his vision was.  Not meaning that negatively, the special feature showed how it was realized.  Let’s take a page from this director and every other – Lucas, Spielberg, etc. with storyboarding.

I love art and the storyboarding process is wonderful instructional artwork that includes, but is not limited to:

  • ·         points of view;
  • ·         colors of a scene or set;
  • ·         positions of actors or others in the scene;
  • ·         the action in the scene;
  • ·         the direction of action in the scene, and
  • ·         special effects.

There may be more things that are incorporated.  Whatever the end result is it is shown in the storyboard.  It is a two-dimensional freeze frame of a movie.  It is a tool that permits the participants to plan and be aware of all of the pieces and moves that the product will undergo.  It is tedious, it is labor intensive but it identifies the path on which the project visually develops.

Before you get to the actual enactment, work out what you desire to do on paper in two ways- as you would read or recall it and as you would see it.

Allison L. Williams Hill is an artist, designer, planner, healer, Integrative Health Coach, and inventor. She shares her work and services through:

In-Vesica  Art   Design   Energy

“Do All Things In-Vesica”

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